Tweet
Frank Marshall Davis, Jr.?
American Thinker
Jeff Lipkes
9/20/2012
Excerpt:
"In Laughter and Forgetting, novelist Milan Kudera describes a photo taken of the leaders of the Czech Communist Party on a balcony in Prague. In the original picture, Vladimir Clementis stands next to Prime Minister Klement Gottwald. But after Clementis was purged from the Party, he was airbrushed out of the photo. However, he had given his hat to Gottwald, and in the new photo, widely reproduced, it sits on the PM's head. This is all that remains of Clementis.
In a photo on Barack Obama's Facebook page, his mother Ann Dunham stands with her father in what looks like the Honolulu Airport. Between them are a chubby Barry and his half-sister Maya. Tucked under Barry's arm is a hand. It is not Ann's hand. It appears to be that of a black male. There is additional evidence that someone was airbrushed out and replaced by Ann.
Who's the missing African-American male?
It's the same guy, Joel Gilbert believes, who is MIA in the audio version of Dreams from My Father recorded by Barack Obama himself in 2005. The man is Frank Marshall Davis, Communist (card number 47544), journalist, poet, and pornographer. "Frank" is mentioned twenty-two times in Dreams. Some 2,500 words are devoted to him. All were expunged by O in his reading.
Davis was the single most important influence in shaping the political beliefs of the young Obama, as Paul Kengor has documented at length. But the Stalinist was also, Gilbert believes, the president's real father.
Gilbert's long journey to this conclusion began, he says, while viewing endless clips of Obama's speeches for his earlier documentary, Atomic Jihad: Ahmadinejad's Coming War and Obama's Politics of Defeat (2010).
The producer noticed how animated the future president became when he discussed class warfare. Sometimes the transformation was quite startling.
Then there was the old birth certificate question. Why would someone with nothing to hide not release this? Why would someone pretending to want transparency in government waste five minutes and spend one dollar fighting this simple and reasonable request?
But like many others, Gilbert also wondered why an impoverished grad student and his bride would fly back to Kenya. Why would her parents permit her to give birth in a backward third-world country?
And how did a kid sent to an exclusive prep school in Hawaii at ten and raised by a grandfather who sold furniture and a grandmother who was a VP in a bank become an ardent Marxist before he arrived at Occidental College as a freshman?
What is Obama hiding?
After reading, he says, thirty books on Obama, Gilbert went off to Hawaii to find out. Two years later, and after a second trip, he's come up with some interesting evidence about the guy airbrushed out of the Facebook photo.
The most compelling case for Frank's paternity consists of two sets of photos shown early in Gilbert's Dreams from My Real Father.
The first is a comparison of Davis and the president. A series of photos of the two are juxtaposed. Gilbert points out similarities in the shape of the head, the eyes and brows, the mouth and nose. They have the same deep, resonant voice. Obama is beginning to show the age spots that speckle the face of the older Davis. The pair have strikingly similar bodies -- the identical height (6'2''), the same build.
Then there's the guy Gilbert calls "the Kenyan," Barack Hussein Obama, whose name was pronounced "Beer-ick." The African student has a very round head, a very black and shiny face with prominent cheekbones, and much fuller lips and a broader nose than the president's. He's only about 5'10" and wears thick glasses.
The second set of photos is of the Kenyan's putative wife, Stanley Ann Dunham. Here Gilbert has engaged in a little censorship of his own. Black bars cover Ann's breasts and buttocks. The president's mother is posing in the nude.
Gilbert carefully analyzes the photos. He closely compares features on the face with other photos of Ann.
Some of the pictures were taken shortly before Christmas, in a room with jazz records. Gilbert makes the case that this is Frank Davis's living room. In one photo, Dunham sits on a sofa identical to one Davis is seated on in an earlier picture. Ann, Gilbert says, was about five weeks pregnant when she posed, and the photographer was likely also her lover."
.........................................
View the complete article at:
http://www.americanthinker.com/2012/..._davis_jr.html
American Thinker
Jeff Lipkes
9/20/2012
Excerpt:
"In Laughter and Forgetting, novelist Milan Kudera describes a photo taken of the leaders of the Czech Communist Party on a balcony in Prague. In the original picture, Vladimir Clementis stands next to Prime Minister Klement Gottwald. But after Clementis was purged from the Party, he was airbrushed out of the photo. However, he had given his hat to Gottwald, and in the new photo, widely reproduced, it sits on the PM's head. This is all that remains of Clementis.
In a photo on Barack Obama's Facebook page, his mother Ann Dunham stands with her father in what looks like the Honolulu Airport. Between them are a chubby Barry and his half-sister Maya. Tucked under Barry's arm is a hand. It is not Ann's hand. It appears to be that of a black male. There is additional evidence that someone was airbrushed out and replaced by Ann.
Who's the missing African-American male?
It's the same guy, Joel Gilbert believes, who is MIA in the audio version of Dreams from My Father recorded by Barack Obama himself in 2005. The man is Frank Marshall Davis, Communist (card number 47544), journalist, poet, and pornographer. "Frank" is mentioned twenty-two times in Dreams. Some 2,500 words are devoted to him. All were expunged by O in his reading.
Davis was the single most important influence in shaping the political beliefs of the young Obama, as Paul Kengor has documented at length. But the Stalinist was also, Gilbert believes, the president's real father.
Gilbert's long journey to this conclusion began, he says, while viewing endless clips of Obama's speeches for his earlier documentary, Atomic Jihad: Ahmadinejad's Coming War and Obama's Politics of Defeat (2010).
The producer noticed how animated the future president became when he discussed class warfare. Sometimes the transformation was quite startling.
Then there was the old birth certificate question. Why would someone with nothing to hide not release this? Why would someone pretending to want transparency in government waste five minutes and spend one dollar fighting this simple and reasonable request?
But like many others, Gilbert also wondered why an impoverished grad student and his bride would fly back to Kenya. Why would her parents permit her to give birth in a backward third-world country?
And how did a kid sent to an exclusive prep school in Hawaii at ten and raised by a grandfather who sold furniture and a grandmother who was a VP in a bank become an ardent Marxist before he arrived at Occidental College as a freshman?
What is Obama hiding?
After reading, he says, thirty books on Obama, Gilbert went off to Hawaii to find out. Two years later, and after a second trip, he's come up with some interesting evidence about the guy airbrushed out of the Facebook photo.
The most compelling case for Frank's paternity consists of two sets of photos shown early in Gilbert's Dreams from My Real Father.
The first is a comparison of Davis and the president. A series of photos of the two are juxtaposed. Gilbert points out similarities in the shape of the head, the eyes and brows, the mouth and nose. They have the same deep, resonant voice. Obama is beginning to show the age spots that speckle the face of the older Davis. The pair have strikingly similar bodies -- the identical height (6'2''), the same build.
Then there's the guy Gilbert calls "the Kenyan," Barack Hussein Obama, whose name was pronounced "Beer-ick." The African student has a very round head, a very black and shiny face with prominent cheekbones, and much fuller lips and a broader nose than the president's. He's only about 5'10" and wears thick glasses.
The second set of photos is of the Kenyan's putative wife, Stanley Ann Dunham. Here Gilbert has engaged in a little censorship of his own. Black bars cover Ann's breasts and buttocks. The president's mother is posing in the nude.
Gilbert carefully analyzes the photos. He closely compares features on the face with other photos of Ann.
Some of the pictures were taken shortly before Christmas, in a room with jazz records. Gilbert makes the case that this is Frank Davis's living room. In one photo, Dunham sits on a sofa identical to one Davis is seated on in an earlier picture. Ann, Gilbert says, was about five weeks pregnant when she posed, and the photographer was likely also her lover."
.........................................
View the complete article at:
http://www.americanthinker.com/2012/..._davis_jr.html